




Lauren Halsey: The Roof Garden Commission
This compact book documents Lauren Halseyâs the eastside of south central los angeles hieroglyph prototype architecture (I) (2022), the tenth commission to be featured on the Iris and B. Gerald Cantor Roof Garden of the Metropolitan Museum of Art in New York. The monumental site-specific work, which could be viewed on the museumâs rooftop and from Central Park, brings together the artistâs interests in ancient Egyptian and Afrofuturist iconography, visionary architecture, and vernacular signage and language drawn from the Los Angeles cityscape. Inspired by the Temple of Dendur and other artifacts in the Metâs collection, its Hathor columns and sculptural sphinxes are guardian figures bearing the faces of members of Halseyâs family and community. In addition to photographs of the installation, the publication includes a foreword by Met director Max Hollein, an essay by curator Abraham Thomas discussing the installation in relation to Halseyâs overall practice, and an interview between the artist and poet Douglas Kearney.
Original: $10.00
-65%$10.00
$3.50Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
This compact book documents Lauren Halseyâs the eastside of south central los angeles hieroglyph prototype architecture (I) (2022), the tenth commission to be featured on the Iris and B. Gerald Cantor Roof Garden of the Metropolitan Museum of Art in New York. The monumental site-specific work, which could be viewed on the museumâs rooftop and from Central Park, brings together the artistâs interests in ancient Egyptian and Afrofuturist iconography, visionary architecture, and vernacular signage and language drawn from the Los Angeles cityscape. Inspired by the Temple of Dendur and other artifacts in the Metâs collection, its Hathor columns and sculptural sphinxes are guardian figures bearing the faces of members of Halseyâs family and community. In addition to photographs of the installation, the publication includes a foreword by Met director Max Hollein, an essay by curator Abraham Thomas discussing the installation in relation to Halseyâs overall practice, and an interview between the artist and poet Douglas Kearney.













