
Living, Looking, Making: Sculpture by Giacometti, Fontana, Twombly, Serra
This book was published on the occasion of the exhibition Living, Looking, Making: Sculpture by Giacometti, Fontana, Twombly, Serra at Gagosian, Britannia Street, London. Cocurated by Valentina Castellani, Mark Francis, and VĂ©ronique Wiesinger, the exhibition brought together works characterized by a combination of authoritative material presence and intimate human scale. As David Sylvester has observed, these sculptures are to do with âliving, looking, and making.â
Each artist in the exhibition demonstrates the ability to bring materials to life. Giacomettiâs bronze busts and figures retain the fragility of their human models, while Fontanaâs metal sculptures combine human and natural structures. The raw physicality and spatial dynamics of Serraâs arrangements in steel and lead establish, for their part, an effective counterpoint with Twomblyâs more delicate works in bronzeâabstractions that allude to ancient artifacts and mythological themes.
The publication documents the thirty-seven works in the exhibition alongside installation photography and features a new essay on Twomblyâs sculptural practice by Francis. It also reproduces (with English translations) handwritten letters by Giacometti and Fontana, and a âverb listâ by Serra.
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Description
This book was published on the occasion of the exhibition Living, Looking, Making: Sculpture by Giacometti, Fontana, Twombly, Serra at Gagosian, Britannia Street, London. Cocurated by Valentina Castellani, Mark Francis, and VĂ©ronique Wiesinger, the exhibition brought together works characterized by a combination of authoritative material presence and intimate human scale. As David Sylvester has observed, these sculptures are to do with âliving, looking, and making.â
Each artist in the exhibition demonstrates the ability to bring materials to life. Giacomettiâs bronze busts and figures retain the fragility of their human models, while Fontanaâs metal sculptures combine human and natural structures. The raw physicality and spatial dynamics of Serraâs arrangements in steel and lead establish, for their part, an effective counterpoint with Twomblyâs more delicate works in bronzeâabstractions that allude to ancient artifacts and mythological themes.
The publication documents the thirty-seven works in the exhibition alongside installation photography and features a new essay on Twomblyâs sculptural practice by Francis. It also reproduces (with English translations) handwritten letters by Giacometti and Fontana, and a âverb listâ by Serra.






