



Richard Prince: Folk Songs
This book was published on the occasion of Richard Prince: Folk Songs at Gagosian, 555 West 24th Street, New York. The exhibition featured a body of paintings, drawings, and collages produced from 2018 to 2023, along with five sculptures dating from 2007 to 2025. In Princeās words, the works in Folk Songs picture āhobo smokestack buckteeth and scarred upper lips exhaling chimney clouds of Lucky Strikes drifting over broken-down houses sitting in fields of exaggerated flowers, thousand-yard stares, cardboard caskets, and Mt. Rushmore weeds.ā
The catalogueāwhich features a die-cut reproduction of one of the exhibited paintings stapled to its coverāreproduces all the works in the exhibition with color plates, details, and installation photography. An essay by art historian Sydney Stutterheim places Princeās idiosyncratic motifs and methods in context, examining his manipulation of reality through self-reference and appropriation, buried meanings and apocrypha.
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Description
This book was published on the occasion of Richard Prince: Folk Songs at Gagosian, 555 West 24th Street, New York. The exhibition featured a body of paintings, drawings, and collages produced from 2018 to 2023, along with five sculptures dating from 2007 to 2025. In Princeās words, the works in Folk Songs picture āhobo smokestack buckteeth and scarred upper lips exhaling chimney clouds of Lucky Strikes drifting over broken-down houses sitting in fields of exaggerated flowers, thousand-yard stares, cardboard caskets, and Mt. Rushmore weeds.ā
The catalogueāwhich features a die-cut reproduction of one of the exhibited paintings stapled to its coverāreproduces all the works in the exhibition with color plates, details, and installation photography. An essay by art historian Sydney Stutterheim places Princeās idiosyncratic motifs and methods in context, examining his manipulation of reality through self-reference and appropriation, buried meanings and apocrypha.













