



Gagosian Quarterly: Summer 2026 Issue
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagherâs Fast-Fish and Loose-Fish (2026) on the cover.
Inside the issue is an excerpt from Sharad Chariâs recent essay on Ellen Gallagher, musing on his visit to the artistâs studio in Rotterdam, Netherlands. Sebastian Smee writes of Francis Baconâs time in Paris, Adam D. Weinberg ruminates on Giuseppe Penoneâs enduring engagement with bronze, and Derrick Adams joins Tessa Bachi Haas in conversation ahead of his first mid-career survey.
With the opening of the 61st Biennale di Venezia, a number of the magazineâs features engage with the history and contemporary culture of the storied city. Jenny Saville speaks with art historian Stefania Ventra to mark her major exhibition at Caâ PesaroâGalleria Internazionale dâArte Moderna. In an essay bridging the Republic of Venice and the twenty-first century, Ben Street explores the timeless resonance of Giovanni Domenico Tiepoloâs tragicomic frescoes. And Nancy Spector discusses her bold pairing of Richard Prince and Arthur Jafa in an exhibition at the Fondazione Prada.
In the world of literature, Helen Oyeyemi shares the second installment of her fiction series As You Wish, Mary Gaitskill speaks with Jill Mulleady about their recent Picture Books collaboration inspired by Faust, Wyatt Allgeier interviews Andrew Durbin on the occasion of his new dual biography of Peter Hujar and Paul Thek, and Alana Pockros guides us through the refractive wonderlands of novelist Elaine Kraf.
Elsewhere in the issue, Carlos Valladares ponders Charli XCXâs mockumentary The Moment, Janne SirĂ©n examines Anselm Kieferâs mythological figures, and three luminaries from the worlds of design, fashion, and foodâRonan Bouroullec, MichĂšle Lamy, and Enrique Olveraâconsider the furniture of Donald Judd.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagherâs Fast-Fish and Loose-Fish (2026) on the cover.
Inside the issue is an excerpt from Sharad Chariâs recent essay on Ellen Gallagher, musing on his visit to the artistâs studio in Rotterdam, Netherlands. Sebastian Smee writes of Francis Baconâs time in Paris, Adam D. Weinberg ruminates on Giuseppe Penoneâs enduring engagement with bronze, and Derrick Adams joins Tessa Bachi Haas in conversation ahead of his first mid-career survey.
With the opening of the 61st Biennale di Venezia, a number of the magazineâs features engage with the history and contemporary culture of the storied city. Jenny Saville speaks with art historian Stefania Ventra to mark her major exhibition at Caâ PesaroâGalleria Internazionale dâArte Moderna. In an essay bridging the Republic of Venice and the twenty-first century, Ben Street explores the timeless resonance of Giovanni Domenico Tiepoloâs tragicomic frescoes. And Nancy Spector discusses her bold pairing of Richard Prince and Arthur Jafa in an exhibition at the Fondazione Prada.
In the world of literature, Helen Oyeyemi shares the second installment of her fiction series As You Wish, Mary Gaitskill speaks with Jill Mulleady about their recent Picture Books collaboration inspired by Faust, Wyatt Allgeier interviews Andrew Durbin on the occasion of his new dual biography of Peter Hujar and Paul Thek, and Alana Pockros guides us through the refractive wonderlands of novelist Elaine Kraf.
Elsewhere in the issue, Carlos Valladares ponders Charli XCXâs mockumentary The Moment, Janne SirĂ©n examines Anselm Kieferâs mythological figures, and three luminaries from the worlds of design, fashion, and foodâRonan Bouroullec, MichĂšle Lamy, and Enrique Olveraâconsider the furniture of Donald Judd.













