



Gagosian Quarterly: Winter 2023 Issue
The Winter 2023 issue of Gagosian Quarterly is now available, featuring Pablo Picassoâs Le miroir (1932) on its cover. Inside the issue, Annie Cohen-Solal writes about the exhibition A Foreigner Called Picasso, at Gagosian, New York, detailing the genesis of the project, her commitment to the figure of the outsider, and Picassoâs enduring relevance to matters geopolitical and sociological. Connecting the dots among the Surrealist milieu, including Picasso, a conversation on the underrecognized photographer Lee Miller sets the stage for a New York show about her work, friendships, and collaborations with fellow artists. Ariana Reines shares a poem composed in response to the sculptures of Carol Bove, finding resonance in peacock feathers. And in the world of fashion, Derek Blasberg speaks with designer Thom Browne about Browneâs twenty-year journey since his companyâs founding. Elsewhere in the issue Amit Chaudhuri analyzes the films of Satyajit Ray; Carsten Höller and Federico Campagna debate the perception of time in philosophy and art; Carlos Valladares rethinks the rom-com, and much more.
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The Winter 2023 issue of Gagosian Quarterly is now available, featuring Pablo Picassoâs Le miroir (1932) on its cover. Inside the issue, Annie Cohen-Solal writes about the exhibition A Foreigner Called Picasso, at Gagosian, New York, detailing the genesis of the project, her commitment to the figure of the outsider, and Picassoâs enduring relevance to matters geopolitical and sociological. Connecting the dots among the Surrealist milieu, including Picasso, a conversation on the underrecognized photographer Lee Miller sets the stage for a New York show about her work, friendships, and collaborations with fellow artists. Ariana Reines shares a poem composed in response to the sculptures of Carol Bove, finding resonance in peacock feathers. And in the world of fashion, Derek Blasberg speaks with designer Thom Browne about Browneâs twenty-year journey since his companyâs founding. Elsewhere in the issue Amit Chaudhuri analyzes the films of Satyajit Ray; Carsten Höller and Federico Campagna debate the perception of time in philosophy and art; Carlos Valladares rethinks the rom-com, and much more.













